The page uses Browser Access Keys to help with keyboard navigation. Click to learn moreSkip to Navigation

Different browsers use different keystrokes to activate accesskey shortcuts. Please reference the following list to use access keys on your system.

Alt and the accesskey, for Internet Explorer on Windows
Shift and Alt and the accesskey, for Firefox on Windows
Shift and Esc and the accesskey, for Windows or Mac
Ctrl and the accesskey, for the following browsers on a Mac: Internet Explorer 5.2, Safari 1.2, Firefox, Mozilla, Netscape 6+.

We use the following access keys on our gateway

n Skip to Navigation
k Accesskeys description
h Help
    Vassar College
   
 
  Nov 23, 2017
 
 
    
Catalogue 2017-2018
[Add to Portfolio]

FILM 337 - Indian National Cinema


1 unit(s)
(Same as ASIA 337 ) This course is designed to introduce students to the dynamic and diverse film traditions of India. It examines how these texts imagine and image the Indian nation and problematizes the “national” through an engagement with regional cinemas within India as well as those produced within the Indian diaspora. Readings are drawn from contemporary film theory, post-colonial theory, and Indian cultural studies. Screenings may include Meghe Dhaka Tara / The Cloud-Capped Star (Ritwik Ghatak, 1960), Mother India (Mehboob Khan, 1957), Shatranj Ke Khilari / The Chess Players (Satyajit Ray, 1977), Sholay (Ramesh Sippy, 1975), Bombay (Mani Ratnam, 1995), Kabhi Khushi Kabhie Gham/ Happiness and Tears (Karan Johar, 2001), Bride and Prejudice (Gurinder Chadha, 2004), and Mission Kashmir (Vidhu Vinod Chopra, 2000). Sophia Harvey.

Prerequisite(s): FILM 175  or FILM 210  and permission of the instructor.

Not offered in 2017/18.

Two 75-minute periods plus outside screenings.



[Add to Portfolio]